Phalène Haunting the Frames review by Florian Saerens review by Florian Saerens In 'Phalène’ ('Moth’), writer-director Sarah-Anaïs Desbenoit crafts a ghostly short around two nun-like identical twins who go silently …
27 Desiring Young Woman review by Savina Petkova In dreams, we are at our most vulnerable. Cinema has long since made use of its similarity to dream states—the way time unfolds, the role …
O, Glory! Tripping Through Folk Horror review by Agnès Houghton-Boyle As far as its premise goes, Charlie Edward-Moss and Joe Williams’s psychedelic horror ‘O, Glory!’ may feel akin to Mark Jenkin’s 16mm …
Asterión Echoes of Silence review by Laura Stoeckler Silence is powerful. It speaks volumes in arguments, can make or break hard conversations, and can even shape the outcome of legal …
“It’s a folly, it’s slapstick in all its glory” Syllas Tzoumerkas talks about his short film ‘My Mother Is a Saint’ interview by Savina Petkova interview by Savina Petkova “It's very important for cinema to have this interaction with reality. I'm not talking about reality from a political angle, but real …
The Caterpillar's Journey Noel Kerwany on Golden Bear Winner ‘Les Chenilles’ interview by Hoda Taheri Noel and Michelle Keserwany share a deep connection to their homeland. Raised in Lebanon, they were brought up in the country’s vibrant …
“I have always been interested … A conversation with Sonia K. Hadad interview by Mariana Hristova Iranian writer and filmmaker Sonia K. Hadad was born in 1989 in Tehran and was primarily educated in her native country, studying …
Beyond Exposure A conversation with Morgane Frund about ‘Bear’ and ways to tame … interview by Bo Alfaro Decreton “I don’t know why the camera is not working,” says Morgane Frund at the beginning of our online talk, upon which she briefly leaves the …
