(South-Africa 2020; Dir: Tebogo Malebogo)

Heaven Reaches Down To Earth

When the mountains caught fire

review by Inge Coolsaet

Heaven Reaches Down To Earth

original title: Heaven Reaches Down To Earth

length: 10

year of production: 2020

country of production: South-Africa

director: Tebogo Malebogo

production: Petrus van Staden, Tebogo Malebogo

director of photography: Jason Prins

editing: Petrus van Staden

sound: Frank David

music: Elu Eboka, Evan Roth

cast: Thapelo Maropefela, Sizo Mahlangu

festivals: Glasgow Short Film Festival 2021, Tampere Film Festival 2021, Clermont-Ferrand International Short Film Festival 2021, Festival du Nouveau Cinéma 2020

© images: Heaven Reaches Down To Earth (Tebogo Malebogo)

After the translation of a personal experience of racial profiling in post-apartheid South-Africa into his acclaimed shortfilm 'Mthunzi' (2019), Tebogo Malebogo returns to the festival circuit. Shot in the Limietberg Nature Reserve of South-Africa with mainly the same crew, 'Heaven Reaches Down To Earth' follows two young black men on a mountain hike. Ten minutes of dreamlike fragments from their trip, thinly layered with hazy magical realism and sparking with intense eroticism, explore their personal relationship.

Playing with aspect ratio, Malebogo jumps from wide shots of mountainous landscapes to a skin close, tight framing of his characters. Janson Prins' slick cinematography of the former amplifies both the calmness of mountains and the power of a campfire. The latter exudes the turmoil of their relationship. The emotions, an inflammable mix of desire and confusion, are palpable. The grainy realism of 4:3 images is clear-cut: this is where it happens. This is where the narrative will unfold. The characters themselves echo the qualities of the images: like a mountain, Tau is calm and confident. It's the opposite for Tumelo who's alert, on edge and restless like the embers of a fire.

So what does happen exactly? We don't know. Tebogo Malebogo is not one to kiss and tell, nor are his characters. What happens in the mountains stays in the mountains. The young director smartly conducts time and perception, causing the confusion and hesitance of the characters to transfer over to the viewer. When night falls, we see the men climb. The rugged surface of the rocks becomes yearning skin as nature's crevices offer a place to be. Yet the exploration is reluctant and voracious at the same time. A furtively exchanged gaze after the facts reveals the complexities and entanglements of these men's emotional realms. Was the fever broken, or the fire lit? They will leave this place, carrying the intensity of the shared moments as a memory as cherished as it is haunting.

“And this is given once only.” The last words of a whispering then shouting omniscient voice-over accompanied by Elu Eboka and Evan Roth's throbbing, hot-blooded soundscape, confirms the reference of the film's title. Both are quotes from André Aciman's queer novel 'Call Me By Your Name'. Malebogo names Luca Guadanigno's adaptation to film as an influence and references to the narratives of other films like Ang Lee's 'Brokeback Mountain' or Francis Lee's ‘God's Own Country’ are equally unavoidable.

Like the characters from these queer landmarks, the two South-African men retire in a space outside society. It allows them to embrace an exploration, a desire that has no chance to blossom elsewhere. Isolated from families and conventions, their hesitant and playful togetherness allows freedom, one that comes pouring out with the intensity of choked passion. Instead of defiance or confrontation with a heteronormative environment, we witness electrifying emotions wash over men that finally allow themselves to connect with each other and with themselves. We witness liberation.