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“Beyond Nollywood is a kind of ideology, a counter-position.”

— Nadia Denton

interview by Wilfred Okiche

interview by Wilfred Okiche

Nadia Denton’s ‘Beyond Nollywood’ has been around the world. The specially curated programme, which the British curator, author, and impact …

No More Watermarks

Richard Misek on ‘A History of the World According to Getty Images’

interview by Charlie Shackleton

Filmmaker Richard Misek takes on the world’s largest commercial image archive in ‘A History of the World According to Getty Images’, …

“It’s a folly, it’s slapstick in all its glory”

Syllas Tzoumerkas talks about his short film ‘My Mother Is a Saint’

interview by Savina Petkova

“It's very important for cinema to have this interaction with reality. I'm not talking about reality from a political angle, but real …

The Caterpillar's Journey

Noel Keserwany on Golden Bear Winner ‘Les Chenilles’

interview by Hoda Taheri

Noel and Michelle Keserwany share a deep connection to their homeland. Raised in Lebanon, they were brought up in the country’s vibrant …

“I have always been interested in exploring the dark and unusual corners of human life”

A conversation with Sonia K. Hadad

interview by Mariana Hristova

Iranian writer and filmmaker Sonia K. Hadad was born in 1989 in Tehran and was primarily educated in her native country, studying …

Beyond Exposure

A conversation with Morgane Frund about ‘Bear’ and ways to tame the ‘male gaze’

interview by Bo Alfaro Decreton

“I don’t know why the camera is not working,” says Morgane Frund at the beginning of our online talk, upon which she briefly leaves the …

Black Fire: Power in Play

A conversation with filmmakers and professors Kevin Jerome Everson and Claudrena N. Harold

interview by Alonso Aguilar

Vienna Shorts’ Expedition section aims to create cinematic dialogues between aesthetics, themes, and artistic perspectives. One of the …

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About Talking Shorts


Talking Shorts is an independent online film magazine dedicated to short films. Our goal is to make shorts more visible and to create a wider discourse about the art form.

We're the official outlet of The European Network for Film Discourse (The END), which is supported by the Creative Europe Programme — MEDIA of the European Union.

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